Walking along Bohannon Road near Syria, Virginia

Walking along Bohannon Road near Syria, Virginia

Walking through the world of monotypes


Walking across Virginia’s western Piedmont, making a daily record of this beautiful and changing land as it evolves under the hand of nature and the actions of humans, and creating monotypes of what I see...these things define who I am. Three stretches of road near my home totaling five miles have virtually become part of me. And I have recorded some parts of them in monotypes over and over for a quarter of a century, since that day in which I abruptly changed careers and included this unique medium as part of what I would do for the rest of my life.I began my new life back then by taking classes in printmaking, and when I turned to the monotype, I immediately found fulfillment in the medium’s directness and its ability to teach me about light and how minute by minute, daylight can transform trees, fields, ditches, and mountains. From the beginning I wanted to develop an almost photographic look (and I do make freehand sketches inspired from photographs taken “on the road”) and have always worked in variations of a single dark color. The challenge, of course, is to communicate each scene’s “story” in grayscale rather than in color.Like all monotypes, each print is unique, an edition of one, made by painting onto a clear acrylic plate and transferring that image directly to paper using a press. The manipulation of oil color on the plate with various brushes and tools takes many hours to achieve the scene I remember; then I lay a sheet of damp paper on top of the “wet” plate and run both through my etching press. When I peel the paper off, virtually all of the color transfers, and a single, unrepeatable image is created.

Wednesday, December 23, 2009

"June 27, 2009, 11:48 a.m. on Leathers Road" printed on June 30, 2009


I have walked along Leathers Road many times over the years and done some very nice prints before, but this year, I printed this stretch of gravel road over and over again (and continue to do so this winter from photos and sketches made last summer). The titles I use are from the first photo I take of this moment from which freehand sketches are made which guide the inking up of the plate. High summer has reached this remote road and I can stand here almost forever without seeing another person. The woods are in full leaf and the sun’s angle is steep, and where these elements collide, the light expands like dozens of little supernovae. After laying in the tree trunks, branches, the lights and darks of the foliage, mundane tools such as Q-tips and wads of paper towel scraps pick out these explosions of sunlight, all tempered by the stencil brush’s steadying influence. (12 by 16.5 inches, printed on Stonehenge paper)
Posted by at
Labels: , , , ,

1 comment:

  1. MalindaDecember 23, 2009 at 5:28 PM

    Tucker - this is really beautiful - makes me feel a bit closer to you!

    ReplyDelete

Subscribe to: Post Comments (Atom)