Walking along Bohannon Road near Syria, Virginia

Walking along Bohannon Road near Syria, Virginia

Walking through the world of monotypes


Walking across Virginia’s western Piedmont, making a daily record of this beautiful and changing land as it evolves under the hand of nature and the actions of humans, and creating monotypes of what I see...these things define who I am. Three stretches of road near my home totaling five miles have virtually become part of me. And I have recorded some parts of them in monotypes over and over for a quarter of a century, since that day in which I abruptly changed careers and included this unique medium as part of what I would do for the rest of my life.I began my new life back then by taking classes in printmaking, and when I turned to the monotype, I immediately found fulfillment in the medium’s directness and its ability to teach me about light and how minute by minute, daylight can transform trees, fields, ditches, and mountains. From the beginning I wanted to develop an almost photographic look (and I do make freehand sketches inspired from photographs taken “on the road”) and have always worked in variations of a single dark color. The challenge, of course, is to communicate each scene’s “story” in grayscale rather than in color.Like all monotypes, each print is unique, an edition of one, made by painting onto a clear acrylic plate and transferring that image directly to paper using a press. The manipulation of oil color on the plate with various brushes and tools takes many hours to achieve the scene I remember; then I lay a sheet of damp paper on top of the “wet” plate and run both through my etching press. When I peel the paper off, virtually all of the color transfers, and a single, unrepeatable image is created.

Tuesday, December 29, 2009

"Memorial Day on Etlan Road, May 25, 2009, 10:38 a.m." printed on May 27, 2009



On this overcast but bright Memorial Day walk, the mix of refracted and reflected light falls gently through the Tulip tree colonnade on the left and the forest of Oak, Tulip, and Locust on the right, creating a nave of peaceful beauty. While I’m inking in the oil color two days later, I wonder if this story of filtered light is too simple an idea, but ultimately I discover its simplicity to be the print’s strength, not its weakness. (12 by 16.5 inches on Stonehenge paper)

1 comment:

  1. The announcement of Tucker's private memorial service is in this morning's Times-Dispatch [Friday, May 7, 2010]

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